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New Mythological Figures in Spanish Cinema: Dissident Bodies under Franco (Film Culture in Transition) de Pietsie Feenstra
Descripción - Críticas -Feenstra's analyses are a significant contribution to the scholarly dialogue about contemporary Spanish film and its representations of defiance and the recuperation of cultural identity in the decades following Franco's death A model for the analysis of cinematic narrative, hers should offer special interest to students of Spanish film and Spanish history. --Dr. Richard K. Curry, Editor, Cine y Revista de estudios interdisciplinarios sobre cine en espa ol.[-][-]-This is a substantial new contribution to the cultural study of post-Franco Spain. It traces in sparkling detail the passage from dissidence and marginalisation to scandalous centrality through the body's signifying practices on screen. Its preoccupation with visibility and ideological change gives it a special topical pertinence. -Chris Perriam, Professor of Hispanic Studies, University of Manchester.[-][-]-Here is a -book of passion on the metamorphoses of post-Francoist Spain as it catapulted into the contemporary world (1975-1995). It is a book that questions the power of myths expressed through passionate bodies, in particular bodies who for too long were marginalized in traditional societies. -- Mich le Lagny, professor of the history of culture at the Universit de Sorbonne Nouvelle Paris III.[-][-]A well researched study on post-Franco cinema, that breaks new ground in Spanish film studies by introducing contemporary French theories on myths and stereotypes into the field; of particular interest is the way in which it shows how stereotypes function in a context of political change.[-](Nadia Lie, Professor of Hispanic Studies, University of Louvain (KULeuven), Belgium)[-][-]Pietsie Feenstra's new book makes a significant and welcome contribution to the field of Spanish cultural studies. In her mapping of the evolution of the body as it both marks film and is, in turn, marked by film, Feenstra offers a set of insightful and original readings that will challenge contemporary Spanish historiography and add to the growing corpus of work on Spanish cinema.[-]Steven Marsh, Assistant Professor of Latin American and Peninsular Studies at the University of Illinois at Chicago Reseña del editor In the 1970s, especially after Franco's death in 1975, Spanish cinema was bursting at the seams. Numerous film directors broke free from the ancient taboos which had reigned under the dictatorship. They introduced characters who, through their bodies, transgress the traditional borders of social, cultural and sexual identities. Post- Franco cinema exhibits women, homosexuals, transsexuals, and delinquents in new and challenging ways. Under Franco rule, all of these dissident bodies were 'lost'. Here, they reflect new mythological figures, inhabiting an idealised body form (a prototypical body). These new images transform the stereotyped bodies as they question ancient archetypal values. Spanish cinema offers a dazzling performance transforming previous dissident bodies into the new protagonists of its national cinema. Nota de la solapa New Mythological Figures in Spanish Cinema (1975-1995) brengt de ontwikkeling van de Spaanse cinema in kaart vanaf de periode na de dood van generaal Franco (1975) tot en met de jaren negentig. Pietsie Feenstra beschrijft hoe in de jaren zeventig de Spaanse film tot bloei kwam met nieuwe, flamboyante personages. Vele filmmakers rekenden af met de t Contraportada New Mythological Figures in Spanish Cinema (1975-1995) brengt de ontwikkeling van de Spaanse cinema in kaart vanaf de periode na de dood van generaal Franco (1975) tot en met de jaren negentig. Pietsie Feenstra beschrijft hoe in de jaren zeventig de Spaanse film tot bloei kwam met nieuwe, flamboyante personages. Vele filmmakers rekenden af met de t Biografía del autor Dr. Pietsie Feenstra lectures at Sorbonne University, Paris III, in the department of Film studies. She is a member of the French Research group Th tres de la M moire at Sorbonne University|Dr. Pietsie Feenstra lectures at Sorbonne University, Paris III, in the department of Film studies. For this research she was invited to lecture at several European Universities (University of Amsterdam, University of Groningen, University of Marne la Vall e Paris XII, University of Paul-Verlaine Metz). This English book is a translation and updated version of her French PhD published as ; Les nouvelles figures mythiques du cin ma espagnol 1975-1995. A corps perdus, Pr face de Mich le Lagny, Paris: Harmattan, Collection Champs Visuels, 2006. Her work on contemporary cinema is published in a Spanish edition with Hub. Hermans, Miradas sobre pasado y presente en el cine espa ol 1990-2005, Amsterdam/Atlanta: Rodopi, N 32, 2008 (Awarded with a Premio de Mejor Libro de Compilaci n de la Asociaci n Espa ola de Historiadores de Cine). Recently she published the edition M moire du cin ma espagnol 1975-2007, Paris: Corlet/T l rama, Cin mAction, N 130, 2009. She is a member of the French Research group Th tres de la M moire at Sorbonne University.
Detalles del Libro
- Name: New Mythological Figures in Spanish Cinema: Dissident Bodies under Franco (Film Culture in Transition)
- Autor: Pietsie Feenstra
- Categoria: Libros,Arte, cine y fotografía,Películas
- Tamaño del archivo: 17 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
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New Mythological Figures in Spanish Cinema: Dissident ~ Book Description: After General Francisco Franco died in 1975, Spanish cinema was bursting at the seams. Many film directors broke free from the ancient taboos which had reigned under Franco's dictatorship, introducing characters who transgressed the traditional borders of social, cultural, and sexual identities.
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* omslag Dissident Bodies PB:DEF ~ —, “La construction des nouvelles figures mythiques dans le cinéma espagnol de l’après-franquisme ( - ).” PhD diss., Université de Paris III-Sorbonne Nouvelle, Dépar-tement des Etudes Cinématographiques et Audiovisuelles, November . 310 New mythological figures in Spanish cinema
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